Crossfire NextGen will change the way of Esport First Person Shooter (FPS) gaming.
Crossfire NextGen will also fully supports for Esport Competition in Indonesia.
Various online and offline competition events have been prepared for E-Sport teams & athletes. Not only National Championship, but also in World Championship.
Crossfire NextGen is committed to bring the largest E-Sport FPS in Indonesia. We are cooperating with all gaming industries that advance in E-Sport to serve the best Esport Competition in Indonesia.

Crossfire NextGen will change the way of Esport First Person Shooter (FPS) gaming.
Crossfire NextGen will also fully supports for Esport Competition in Indonesia.
Various online and offline competition events have been prepared for E-Sport teams & athletes. Not only National Championship, but also in World Championship.
Crossfire NextGen is committed to bring the largest E-Sport FPS in Indonesia. We are cooperating with all gaming industries that advance in E-Sport to serve the best Esport Competition in Indonesia.
It includes a brief synopsis, key cast‑and‑crew details, themes, reception, and a short Arabic‑language summary (≈ 150 words) that you can use as a quick reference. | Item | Details | |------|---------| | Title (English) | Mother’s Job | | Original Title | Ummi al‑‘Amal (أمي العمل) – Arabic transliteration of the same phrase | | Year of Release | 2017 | | Country | Egypt (co‑production with the United Arab Emirates) | | Language | Arabic (original) | | Genre | Drama / Family | | Runtime | 118 minutes | | Director | Khaled Youssef – noted for socially‑conscious Egyptian cinema | | Screenwriter | Mona El‑Saeed (original screenplay) | | Producers | Nabil Al‑Sayed , Miriam Al‑Fahim | | Music | Mansour Mansour | | Cinematography | Ahmed Ghazal | | Production Companies | Al‑Mawj Studios , MENA Film Fund | | Distributor | Rotana Studios (MENA region) | | Box‑Office (est.) | US $3.2 million (regional) | 2. Plot Summary (Spoiler‑Free) Mother’s Job follows Layla , a widowed mother of three who works as a night‑shift nurse in a bustling Cairo hospital. When her eldest son, Tamer , decides to leave university to pursue a risky start‑up, the family’s financial equilibrium teeters. Layla is forced to take on a second job as a night‑time driver for a ride‑hailing service, exposing her to a city that never sleeps and to passengers whose stories mirror the hidden struggles of modern Egyptian society.