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Rebuilding the Haunt: Narrative Expansion, Spatial Memory, and the Folk Horror Turn in Hell House LLC Origins: The Carmichael Manor

Lowenstein, A. (2005). Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film . Columbia University Press.

Hell House LLC Origins: The Carmichael Manor (2023) Director: Stephen Cognetti Series: Hell House LLC (2015), Hell House LLC II: The Abaddon Hotel (2018), Hell House LLC III: Lake of Fire (2019)

Stephen Cognetti’s Hell House LLC Origins: The Carmichael Manor functions as both a prequel and a lateral expansion of the found-footage horror franchise. Diverging from the series’ established Abaddon Hotel setting, the film relocates the supernatural threat to a secluded family estate, introducing a new mythology while retroactively deepening the original lore. This paper analyzes how the film utilizes spatial memory, the uncanny domesticity of the "folk horror" estate, and a refined economy of scares to revitalize a flagging franchise. It argues that Origins succeeds not through gore or jump scares alone, but by reorienting the haunting from a commercial space (the hotel) to an intimate, genealogical one (the manor), thereby transforming the nature of the evil from residual trauma to inherited, predatory consciousness.