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PRO LICENSE
$79.99
Included
MP3, WAV, Dry Stems, Wet Stems
MP3, WAV, Dry Stems, Wet Stems
We see a Racer crash. We see a Cop draw a weapon (a strange but cool "shoot the tires" mechanic). We see the titular "Rivals" system where a Cop and a Racer can become locked in a persistent, open-world grudge match. The intro ends with a title card that shatters like glass, and the player is given a choice: Play as Racer or Play as Cop .
There is no hand-holding tutorial box explaining the brake-to-drift mechanic. Instead, the intro immediately throws you into a split-screen narrative: one side shows a racer (Zephyr) pushing a hypercar past the redline; the other shows Officer F-8 of the Redview County Police Department prepping a pursuit unit. The editing is fast, the color palette is drenched in deep blues and neon-lit reds, and the sound design is visceral.
The game uses the "Heroic Driving Engine" (a modified version of Burnout Paradise ’s handling). As you take control, the camera stays low to the tarmac, the motion blur kicks in, and the controller vibrates with the texture of the road. The intro mission is simple: "Outrun the cops." This isn't a racing line tutorial; it’s a survival test.
The cold open succeeds brilliantly at establishing conflict . It immediately answers the question, "What is this game about?"—not just driving, but the chase . 2. The Cinematic vs. The Gameplay The true genius of the Rivals intro is how it blurs the line between cutscene and play. After a 60-second cinematic, you aren't dropped into a menu. You are dropped onto a rain-slicked highway, already doing 120 mph.
We see a Racer crash. We see a Cop draw a weapon (a strange but cool "shoot the tires" mechanic). We see the titular "Rivals" system where a Cop and a Racer can become locked in a persistent, open-world grudge match. The intro ends with a title card that shatters like glass, and the player is given a choice: Play as Racer or Play as Cop .
There is no hand-holding tutorial box explaining the brake-to-drift mechanic. Instead, the intro immediately throws you into a split-screen narrative: one side shows a racer (Zephyr) pushing a hypercar past the redline; the other shows Officer F-8 of the Redview County Police Department prepping a pursuit unit. The editing is fast, the color palette is drenched in deep blues and neon-lit reds, and the sound design is visceral.
The game uses the "Heroic Driving Engine" (a modified version of Burnout Paradise ’s handling). As you take control, the camera stays low to the tarmac, the motion blur kicks in, and the controller vibrates with the texture of the road. The intro mission is simple: "Outrun the cops." This isn't a racing line tutorial; it’s a survival test.
The cold open succeeds brilliantly at establishing conflict . It immediately answers the question, "What is this game about?"—not just driving, but the chase . 2. The Cinematic vs. The Gameplay The true genius of the Rivals intro is how it blurs the line between cutscene and play. After a 60-second cinematic, you aren't dropped into a menu. You are dropped onto a rain-slicked highway, already doing 120 mph.