Paul Mccartney Greatest Hits Vol 1 -

By Jason Heller

Consider the 1980s. Just when critics wrote him off as a soft-rock grandpa, he dropped Tug of War (1982), featuring “Here Today,” a devastating tribute to John Lennon that remains one of the most vulnerable moments ever captured on tape. Immediately following that with the synth-pop bounce of “Coming Up” (recorded live in a closet, sounding like a mad scientist’s party) would cause emotional whiplash—the good kind. Here is where Vol. 1 collapses under its own weight. What do you do with the Christmas novelty “Wonderful Christmastime”? It is simultaneously beloved and reviled. It is pure McCartney: uncynical, melodic, and completely unconcerned with coolness. A greatest hits album that ignores it feels incomplete. An album that includes it feels bizarre. paul mccartney greatest hits vol 1

Then there is the experimental electronica of the Fireman projects. The classical oratorio Standing Stone . The cover of “Ain’t No Sunshine” that somehow works. McCartney has never been a curator of his own myth; he has been a restless tinkerer. If a record label executive held a gun to history, a hypothetical tracklist for Paul McCartney Greatest Hits Vol. 1 would likely focus on the commercial peak of 1970–1984: By Jason Heller Consider the 1980s

Vol. 1 implies a Vol. 2 . But even a second volume wouldn’t cover the half of it. You would need a box set. And then a second box set. And then a third for the classical and electronic odds and ends. Here is where Vol