During the final mixing at Abbey Road, Roger Waters wandered the halls with a stack of flashcards. He stopped anyone he saw—roadies, doormen, even members of Paul McCartney’s band, Wings—and asked them philosophical or jarring questions like, "Are you afraid of dying?" or "When was the last time you were violent?".
Paul and Linda McCartney were interviewed but their answers were deemed too "guarded" and were cut. The Legend: The heavy Irish accent you hear saying, "I've been mad for f***ing years," belonged to the studio doorman, Jerry O'Driscoll. The Laughter:
While the digital "zip download" is a modern convenience, the real story of The Dark Side of the Moon
. Fans discovered that if you start the album at exactly the third roar of the MGM lion at the start of The Wizard of Oz , the music and movie synchronize uncannily:
The ticking-clock intro to "Time" features rototoms that were only used because another band had accidentally left them in Studio 3. Pink Floyd, having never used them before, decided to experiment with them on the spot. The Vocal Miracle:
MY CART (0)
Cart Subtotal:
During the final mixing at Abbey Road, Roger Waters wandered the halls with a stack of flashcards. He stopped anyone he saw—roadies, doormen, even members of Paul McCartney’s band, Wings—and asked them philosophical or jarring questions like, "Are you afraid of dying?" or "When was the last time you were violent?".
Paul and Linda McCartney were interviewed but their answers were deemed too "guarded" and were cut. The Legend: The heavy Irish accent you hear saying, "I've been mad for f***ing years," belonged to the studio doorman, Jerry O'Driscoll. The Laughter:
While the digital "zip download" is a modern convenience, the real story of The Dark Side of the Moon
. Fans discovered that if you start the album at exactly the third roar of the MGM lion at the start of The Wizard of Oz , the music and movie synchronize uncannily:
The ticking-clock intro to "Time" features rototoms that were only used because another band had accidentally left them in Studio 3. Pink Floyd, having never used them before, decided to experiment with them on the spot. The Vocal Miracle: