This paper examines Russian Institute, Episode 28: Discipline (dir. Franck Vicomte, 2016), a pivotal entry in the long-running European adult cinema series. Moving beyond purely prurient interpretations, this analysis positions the episode within a unique subgenre: the "institutional discipline narrative." Drawing on Foucault’s concept of panopticism, Mulvey’s male gaze, and contemporary theories of post-Soviet nostalgia, we argue that Vicomte weaponizes the aesthetic of the conservatoire (ballet/academy) to construct a liminal space where punishment, pedagogy, and eroticism converge. The paper investigates how Episode 28 subverts traditional power dynamics by making "discipline" a performative spectacle for an internal and external gaze.
Dr. A. Larionova Publication: Journal of Post-Soviet Media and Performance Studies , Vol. 12, Issue 3 Russian Institute 28- Discipline -Franck Vicomt...
The Architecture of Obedience: Deconstructing Disciplinary Power and the Gaze in Russian Institute, Episode 28: Discipline (Dir. Franck Vicomte) The paper investigates how Episode 28 subverts traditional
Russian Institute 28: Discipline is not mere pornography; it is a philosophical dialogue on power’s visibility. Franck Vicomte constructs a world where the cane is not a symbol of sadism but a language of correction. By refusing the viewer the comfort of hidden punishment, the episode forces a question: When discipline is fully seen and consented to (within the fiction), does it cease to be violence and become structure ? The answer, Vicomte seems to argue, lies not in the implement, but in the foot that remains en pointe even after the stroke. Vicomte seems to argue