Sodom: Salo Or 120 Days Of

Day one hundred. The final ceremony.

The courtesans grew tired. Their stories began to repeat. The same locked room, the same burning iron, the same mother who never came. The Judge noticed. On day sixty, he gave them a new subject: "Tell us about the last time you felt hope." They couldn't. They sat in silence for three hours. The Banker declared it the most interesting performance yet.

The Patricians did not act alone. They had hired four middle-aged women—former courtesans of the old regime—to narrate. Each night, after the "lessons," the women would sit in an alcove above the main hall and tell stories. Not fairy tales. Autobiographies of degradation. The Judge would sip wine and grade their performances on a scale of one to ten. The Banker took notes on which humiliations sparked the most fear in the children's eyes. The General timed the sessions with a stopwatch. The Priest prayed silently, then louder, until his prayers sounded like curses.

Number One looked at the knife. He looked at the Priest, who was smiling—not with malice, but with exhaustion. The boy turned and stabbed the Judge in the throat. It took four tries to find the artery. The General shot Number One in the chest. The Banker ran for the funicular. The Priest knelt and began to pray, this time for real.

He handed a knife to Number One, the eldest boy. "Start with the Priest," he said.