Ever wanted to know what it feels like to run your own Pizza shop? Now you can with TapBlaze’s newest game, Good Pizza, Great Pizza! Do your best to fulfill pizza orders from customers while making enough money to keep your shop open. Upgrade your shop with new toppings and equipment to compete against your pizza rival, Alicante!
MISSION: Our mission is to make the best pizza cooking simulation game in the entire world.
VISION: To take Good Pizza, Great Pizza and turn it into a global reality so that billions can enjoy pizza.
Why play our game?
PNN
Pizza News Network- 24/7 pizza news.
Creative Freedom
The pizza order is up to you!
Toppings
Dozens of pizza toppings!
Characters
Over 100 unique characters!
Customization
Design your dream pizzeria!
Pizza Loving Team
We love pizza and creating more fun for this game!
Watch only if you need to confirm that watching a 102-minute simulated torture session with no point is, in fact, boring.
Who is this film for? Completionists of the "extreme horror" subgenre may find it a necessary rite of passage. Those fascinated by the aesthetics of degraded media might appreciate its committed texture. But for most viewers, Snuff 102 is a hollow exercise. Snuff 102
Directed by Mariano Peralta, Snuff 102 is a film that dares you to call its bluff. Bearing a title that explicitly references both the act of murder-for-film and the number of its own minutes (a clever, if grim, marketing hook), the movie immediately positions itself as a piece of transgressive extreme cinema in the vein of August Underground or The Poughkeepsie Tapes . The question isn't whether it's disturbing—it is. The real question is whether its brutality serves any purpose beyond simple provocation. Watch only if you need to confirm that
The film follows a young journalist, a reporter for a women's magazine, who is researching a story on "urban violence and the media." Her investigation leads her to a seedy VHS rental store, where she purchases a tape simply labeled Snuff 102 . Upon viewing it, she discovers it is exactly what the title promises: a real (fictional) snuff film. Before she can react, she is abducted by the film's creator, a sadistic, unnamed director who intends to make her the star of his 102nd snuff production. Those fascinated by the aesthetics of degraded media