Super-8 | SECURE ◆ |
Philips SAA7130HL (NXP) -, Intex – …
, Intex TV-Tuner - – 23$. 1 . . …
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Intex TV-Tuner , . , , , – ! PC TV Capture... «Intex XT-TV» …
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: RCA ; TV; «» - ; «» S-Video; – ; .


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( 168 ), . Windows 2000/XP Vista. Win98/ME/NT , … , , , .
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SAA7130HL -

Philips 3139 147 15941C# FQ1216ME/PH SV21 0303

-...


-, ...
Intex TV-Tuner:
• TV Tuner
• FM Radio
• AVI/MPEG1/MPEG2 ( )
•
•
• – (CVBS), S-Video – NTSC/PAL/SECAM
• PCI v2.1
• : Pentium III 500 MHz AMD, 32 , CD-ROM, AGP 8
, ,
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, . , , TV Tuner’a Gigabyte GA-MA74GM-S2H ( Realtek ALC888, HD Audio), Intex TV-Tuner Mercury PVM890 M v1.0 ( Realtek ALC655, AC'97 2.3) ( ) .
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P.S. Gigabyte GA-MA74GM-S2H . , , , , …
P.P.S. Novus NVC-EC3201H/IR Sinsyn SS-219C , - - : , , ... , " " , ...
● , , - !
• honestechTVR 1.0.0.1
• Easy TV Capture + FM
, -, 2008
: 16.04.2011 .
|
Super-8 | SECURE ◆ |
A white leader strip said: KODAK EKTACHROME 160 . Then, nothing.
August leaned closer. The girl wasn’t his mother, and she wasn’t his grandmother. She was nobody he’d ever seen in a family photo.
The reel sputtered, jumped. A new scene: a carnival at dusk. The neon lights of a Ferris wheel bled into streaks of magenta and orange against a bruised purple sky. The girl was on the ride, her hair whipping in the wind, and Leo was filming from the ground, tilting the camera up, up, up. The lens lingered on her face, a god’s-eye view of a girl who had no idea she was becoming a ghost in a machine.
The final reel was different. The color was gone, faded to a sepia near-monochrome. It showed Leo, alone, walking through the same field where the story began. The Queen Anne’s lace had gone to seed. He carried no sunflower. He stopped in the middle of the frame, turned to the camera he’d set on a tripod, and just stood there. He was older now, maybe forty. He stared into the lens for a full thirty seconds—an eternity in film. Then he reached up, and the screen went black. super-8
The projector ran out, flapping the empty tail against the take-up reel.
August—You found the camera. Good. The last thing I ever filmed was you, when you were three, chasing a butterfly in my backyard. I kept that reel separate. It’s in the red box. Watch that one first. The others… those are the reasons I stopped filming. The reasons I became the quiet man you knew. Some stories are only meant to be seen once. Burn the rest.
August felt a strange ache in his chest. He had known Leo only as a quiet man in cardigans who fell asleep in his recliner. This stranger on the screen was vibrant, hungry, alive. A white leader strip said: KODAK EKTACHROME 160
The scene cut. Now the same girl sat on the tailgate of a dusty Ford pickup, swinging her legs. A young man—his grandfather, Leo, impossibly young and lean, with dark hair and a cocky smile—walked into the frame. He wasn’t holding a camera now. He was holding a single sunflower. He offered it to her. She took it, and her smile was a sunrise.
August looked at the red box he’d set aside, thinking it was empty. He looked at the dark screen. He looked at the girl’s face still burned into his memory.
He rewound it three times before he was sure. The girl wasn’t his mother, and she wasn’t
The projector whirred, a comforting, mechanical growl in the dark of the garage. A single beam of light, speckled with dust motes, shot across to the pull-down screen. August, fourteen years old, held his breath. This was the moment.
She said: Run.