Zoom Qartulad Apr 2026

Gaumarjos, Zoom Qartulad. Nini Kapanadze is a Tbilisi-based writer covering the intersection of technology, folklore, and fermented grapes.

When the pandemic forced this ritual online, Georgians refused to let the app dictate the rules. They hacked it.

Diaspora families, for whom a supra was once a once-a-year luxury, now hold weekly digital feasts. A cousin in Chicago makes lobio , a grandmother in Tbilisi watches, correcting the spice mix via laggy video. Weddings are live-streamed. Funerals, too. The “Zoom qartulad” has become the country’s second living room—a place where you can drop in unannounced, interrupt a meeting about quarterly reports with a story about your neighbor’s goat, and no one will kick you out.

Desperate, families and friends turned to a corporate video conferencing tool: Zoom. zoom qartulad

But the soul of Zoom Qartulad remains stubbornly analog. It is not about the software. It is about the refusal to be silenced. In a world that pushes for efficiency, brevity, and mute buttons, Georgians have taken a cold corporate tool and injected it with warmth, wine, and wonderful, glorious noise.

So the next time you join a Zoom meeting and hear someone shout “Ra ginda, ara me munda?” (What do you want, I’m not muted?), don’t be annoyed. Be honored. You’ve just been invited to the digital supra . Pull up a chair. Pour a glass. And for the love of all things holy—turn on your camera.

Georgian internet, while improving, is not perfect. During government-imposed internet restrictions or simple infrastructure lags, Zoom becomes a game of Russian roulette. One person’s audio arrives 12 seconds late, creating a surreal echo chamber. A toast about unity is heard as a disjointed glitch-folk remix. Gaumarjos, Zoom Qartulad

It started as a necessity. In March 2020, as the world slammed its doors against the pandemic, Georgia—a country of supra feasts, polyphonic singing, and fierce face-to-face negotiation—found itself suddenly, eerily silent. The tamada could no longer clink his glass. The supra table, the gravitational center of Georgian social life, vanished overnight.

Suddenly, grandmas who had never used a smartphone were learning to “raise a glass” by lifting their laptops. Uncles were toasting with chacha in one hand and muting themselves with the other after a particularly loud “Gaumarjos!” The Zoom gallery view became a digital supra table: 20 faces in squares, each with a plate of khachapuri visible in the frame, each with a story.

Then there is the unspoken rule of the “Random Uncle.” Every Zoom Qartulad call has one participant who never speaks, keeps their camera off, but whose name is listed. Is he listening? Is he asleep? Is he even in the same country? No one asks. He is the digital ghost of every Georgian gathering—present but silent, holding a metaphorical glass of mineral water. From Crisis to Custom What makes Zoom Qartulad truly remarkable is how quickly it moved from a crisis tool to a cultural staple. Even as Georgia reopened, people kept Zooming. They hacked it

What happened next was not a simple tech adoption. It was a cultural revolution. Four years later, “Zoom Qartulad” (Zoom in Georgian) is not just a phrase; it is a distinct digital subculture, a linguistic battlefield, and a testament to Georgia’s ancient talent for transforming foreign tools into something profoundly, chaotically, and beautifully local. To understand Zoom Qartulad, you must first understand the Georgian supra . A traditional feast is not about the food. It is a ritualized marathon of toasts, led by a tamada (toastmaster), where wine is philosophy, and every glass raised is a prayer for the dead, a wish for the living, or a sly negotiation. It is loud, polyphonic, and requires physical presence—eye contact, a hand on a shoulder, a shared shoti bread.

Older relatives, seeing their own video for the first time, panic. “Why am I so old? Why is my hair like this?” The result is an explosion of beauty filters. Grannies in the village of Sighnaghi suddenly appear with cartoon butterfly crowns and smoothed skin, toasting Stalin-era wine while looking like anime characters.

Even the Orthodox Church, initially suspicious, has seen priests giving blessings via Zoom, crossing themselves in front of webcams. One priest in Kutaisi famously said, “God is everywhere. Even in the waiting room.” As 2024 progresses, “Zoom Qartulad” is evolving. Younger Georgians are mixing it with Discord and Instagram Live. The government has started using Zoom for public hearings—a move met with the expected chaos of 500 unmuted microphones.

By Nini Kapanadze